okay that's a lie...I woke up and could not fall back asleep.
But here is the Luxor Temple Photo Album:
Since I started at Luxor Temple, and since I took less pictures there, I will begin writing about it first as well. In a way this follows the tradition of Ancient Egyptian festival processions, but not exactly. Festival celebrations like the annual autumn Opet Festival would begin at Karnak Temple. This festival in particular consisted of priests carrying in their shoulders, the statue of Amon, along a 2 km avenue framed by two rows of sphinxes. This avenue connected Karnak and Luxor Temple. The festival, which acted as a political tool symbolizing the divine birth of the King, as well as granting public access to the gods who normally resided in the temples where only preists could interact, make offerings, and provide daily ritual services such as cleaning in the sacred bath, would begin by land at Karnak Temple. The statue would be carried through Luxor Temple and would return by boat along the Nile back to Karnak. So, even though I’m beginning at Luxor, I’m ending at Karnak just the same. Anyway…I know what you’re thinking…picture time: Most info is either from memory of a class I took with Janet Richards, or from my guide book, of which I was completely lost in throughout my picture taking. It is Jill Kamil’s Guide to Luxor
Here are the rows of sphinxes I was just talking about. For some reason Kirk thought these pictures were really cool out of all of them.
The avenue is visible now only in fragments and does not proceed from Karnak to Luxor in the mordern day. However, as apart of a new tourist ploy, apparently they are going to remove all of the sphinxes, some of which are above ground and visible, others which are not, and create a huge tourist pathway. In fact, the excavation project the the crew is currently working on is salvage archaeology of the sphinxes.
Here is a view of Luxor Temple from the front, so this is the perspective the crowd and priests would have held as the statue or bark of Amon was carried toward Luxor. Of course the temple back then was much more elaborate in decoration and color, showcasing the immense wealth of the king and his dedication of such wealth to the eyes of the gods.
The massive stone walls you see are called pylons. Pylons became important temple components, with outter inscriptions usually consisting of military successes and the strength and power of the pharaoh over enemines. Smiting scenes were common. Specifically depicted in the front most Pylons at Luxor Temple are battle scenes under the reign of Ramses II against the Hittites. These scenes were important to communicating the King’s power over chaos.

Pylons are also large scale gateway constructions which resemble the heiroglyph for horizon, tying together the religious space to the sun and where it is born every day. The temple itself was oriented East to West symbolically linking everything to the activity of the sun.
That tall phallic structure to the left is called an obelisk, Its flat sides at the top, similar to the flat outter casing of pyramids, were stone imitations of sun rays. Though they look plain now, they would have been spectacularly decorated, cased in gold and made of exotic material like pink granite. There was one on the west side as well...but the French stole it! Well I don't know if they stole it...but they have it I think.
Both the Pylon and Obelisk is of Ramses II, a pharaoh whom I REGRETTFULLY do not know very much about even though his name is one of the most well known. The 2 seated and for 4 standing statues out front are also all of Ramses II.

Isn't he dreamy?
Here are additional reliefs on the exterior statues related to Ramses II.
Though Ramses did not begin the constructions at Luxor temple, he was known for being a magnificent builder and made some of the most significant alterations to the temple. His addition also included the large open court. The court added by Ramses II (19th Dynasty New Kingdom) is open with collumns surrounding it. Within the court are also various statues
Additions to temples from the previous architetural decisions by earlier reigning pharaohs, always went in front. Because the most sacred components of the temple, the shrines and sactuaries of the gods, were at the back, temples always extended forward when altered.
Below are more scenes from within, again most related to festival activity, offerings to the gods so that order on earth is maintained, divine birth and legtimization of the king etc.
This is me tucked into a shrine just on the other side of the first pylon. The original granite shrine was built by Hatepshut and restored by Ramses II. The shrines were dedicated to Amon, Khonsu and Mut.
I turned to my right and saw this on the ground. Its an omen.

Here are the shrines without me!
The following is actually a Mosque, the Mosque of Abu el Hagag, that was added right to the temple which, according to Kamil, was built because muslims believed that the tomb of a saint was here:
From the Court of Ramses the II come the Great Collonade, area with the two rows of collumns, and Hypostyle Hall which contains 32 collumns organized into four rows. The Great Collonade and Hypostyle hall were built by Amenhotep III. Movement into the temple increases in darkness as more and more Papyrus collumns fill the space evoking notions of a watery chaos that rose from the mound during creation (ehh I think it’s something like this). Everything about egyptian religious ideology seems to deal with opposition, particularly this notion of chaos versus order. As has been explained to me, temples are meant to be microcosms of the universe with the interior reflecting the means of maintaining order and the exterior, aspects of repelling chaos. The entire temple increases in darkness the further you go in, and also increases in elevation to represent the primordial mound of creation in Egyptian mythology.
Great Collonade:

From the Hypostyle Hall


Again, you can see the walls are decorated with a variety of reliefs, but also here, some of the reliefs were painted over and the area was converted into a Roman Shrine later.

Here are some additional images that I either am too lazy to look up information for, or I really didn’t have that much information about them, but I thought they looked cool.


Like I said, I have a newfound inspiration to finally learn to read heiroglyphs despite the fact that I am hellbent on not getting overly invested in Egypt as my path of study. But how kickass would it be if I just knew what all of this meant off the top of my head? Haha sorry I’m not that impressive…yet!